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Image of the Forest in Europe

Unfortunately, however, the forest has ceased to be a sacred place for the vast majority of Europeans. In the ancient Europe before Christianity, the Germanic race and the Celtic race hunted in deep forests and practiced the 'religion of the forest', revering deities that they believed to live in the forest. But when they were christianized after the Roman conquest, the forest was made into an abominable place where evil spirits or fearful wild animals like wolves were thought to live. In the mediaeval ages, cities and farm villages under the control of the Christian church represented a part of the holy world of God, that is distinct from surrounding natural environments such as the dark, wild places which should have been conquered and controlled by the glory of God.

Robert Harrison, Professor of Stanford University, writes in his book, The Forest-Shadow of Civilization (Published by Chicago University Publishing Department in 1992) that in western civilization, from ancient Greece and Rome to the present day, the image of the forest as a chaotic, negative place has persisted in literature, philosophy and the arts as the shadow of civilization-as-cosmos.

Augustin Berque, a French scholar who specializes in cultural geography, writes in his book, Le sauvage et l'artifice -Les japonais devant la nature (Editions Gallimard, Paris,1986)that Japanese traditional culture shows a tendency of 'physicophily' having strong affinity towards the forest and surrounding nature m general, and this phenomenon is totally opposite to the Christian tradition. He points out that Christian culture is traditionally 'physicophobiac'. It formed the concept that both natural environments and human beings exist in this world as evil objects. Therefore, they should be conquared, tamed, and evangelized by Christianity.

So, it was impossible for the Westerners, whose way of thinking was based on Christian concepts, to consider the natural landscape or the forest to be the sacred places. For them, nature was an object to which the glorious order of God should be introduced by hewing off the forest, building churches, and transforming the wilderness into orderly gardens of God.


The Grove of the Village Shrine

In Japan, natural environments such as steep mountains, deep valleys, forests, Iandscapes and even planted forests were considered to be sacred places where deities or divine spirits dwell. Accordingly shrines are to be surrounded by a grove, or even the grove itself was considered to be the shrine as a sacred place for the village. This is because the village shrine was originally considered to be a place for the deity to occasionally visit, travelling from its original place in deep mountains or valleys, and to stay for some time.

A Spanish philosopher, Diez del Corral, writes about this in his book, A Journey Through Asia (Del Nuevo Al Viejo Mundo, Revista De Occidente, Madrid, 1967), especially in the chapter titled "The Grove of the Village Shrine". He writes;-

The most impressive sight repeated in every place throughout the breadth of this country is nothing other than union of forest and shrine... Almost as though the Japanese 'kami' is just a drop coalesced from the sacred flow, teeming with all of nature. The Japanese shrine is the most compressed architectural expression of the forest as the home of the sacred..

This is precisely the essence of the shrine, and it is the holy place of Shinto, evoking a nostalgic feeling for many Japanese towards their own home or country.


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